Production Assistant: Liza Antonova and Fernando Barajas Production Manager: Andressa Pelachi and Kevin Balash ![]() Talent : Anna Cathcart, Gia Kim, Sang Heon Lee, Minyeong Choi, Anthony Keyvan See the Netflix stars wrap toilet paper around each other, reveal on-set secrets and more! Which cast member has gotten catfished on a date? Watch to find out! The cast of 'XO, Kitty' play a fun game of "I Dare You"! Anna Cathcart, Choi Min-young, Sang Heon Lee, Anthony Keyvan and Gia Kim take turns choosing between truths or dares to test their boldness. If you find yourself watching the Pulp Fiction dance over and over or revisiting movies like Dirty Dancing every time you’ve had a bad day, you’re going to love these. We’ve rounded up some of our faves that include all the best hip-hop dance movies, ballet movies and of course, dance battle movies. Ready to spend your next movie sesh watching your favorite stars duke it out on the dance floor? You’ve come to the right place for the inspo you need to queue it up! If you think you’re the only one who likes dance movies, trust - you’re not! There are tons of great dance movies throughout history to prove that most people keep coming back for more.įrom Old Hollywood to animated flicks for kids to the dark undertones and cinematic drama of Black Swan, chances are there’s a great dance movie out there for just about anyone. Even if you’re not a dancer yourself (but especially if you are!), you can’t help but tap your toes while rooting for the good guy in the inevitable dance-off. Find an off-Broadway show, or go old school and find something that we haven’t heard in a while.Dance movies seem to strike that perfect balance between edge-of-your-seat action and irresistible romance. Innovate! Don't regurgitate what another choreographer already did.” It’s okay-in fact, welcomed-to use songs from new or lesser-known musicals. He finishes by encouraging choreographers to “listen to music and pick songs from musicals that are NOT DANCE SHOWS. He reminds us that we don’t have to “rely on Tangled and Bathing Beauties for every petite number.” Joey agrees and suggests that choreographers shy away from songs that are known to be iconic dance numbers because these songs create expectations in terms of vocabulary, performance, and style. There are so many music sources out there, and judge Colin Shea Denniston emphasizes the importance of doing research, especially to find kid-friendly musical theater songs. Judges, many of whom are veterans of well-known musicals, are sick of hearing the same songs over and over. It also takes a very sophisticated ear to be able to work those nuances and we don’t always find that at the competitive level.” Similarly, NYC-based dancer and teacher, Kelly DiConzo, warns, “This trend can work for some advanced tappers who have an extensive knowledge of music theory and a trained ear for rhythm however, to set your dancers up for success, find a song with some percussion so they can work with the existing sounds and use them as a guide for timing and rhythms.”Īnother genre-specific pet peeve relates to Musical Theater. Tap is all about rhythm and it’s somewhat difficult to really work all the dynamics that tap requires, when tapping to lyrical. ![]() ![]() Joey explains that he no longer finds it innovative or interesting, and Jacqueline echoes these sentiments, explaining, “I’ve never been a huge fan of tapping to lyrical music. While exciting and innovative in 2014, this choice has now evolved to be a norm and many judges are bored and frustrated. The most notable example is tap dances to lyrical songs or ballads. Over the past few years, a trend has evolved wherein choreographers utilize what might be considered music suited to a different genre of dance. ![]() Appropriateness goes beyond age and thematic content, however.
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